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Herbert Thannhaeuser’s Gravira, released by Schelter & Giesecke in 1935, redrawn and revived for nowaday’s use.
Showing posts with label German. Show all posts
Showing posts with label German. Show all posts
[hvobq] Download Gravira fonts from RMU
ads
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decorative
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German
,
neo classical
,
posters
,
serif
[gzzxr] Download Gravira fonts from RMU
ads
,
decorative
,
German
,
neo classical
,
posters
,
serif
| |
Herbert Thannhaeuser’s Gravira, released by Schelter & Giesecke in 1935, redrawn and revived for nowaday’s use.
Download RMU Manolo Fonts Family From RMU
ads
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art nouveau
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book titles
,
citations
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formal elegant
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German
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Manolo was a Ludwig & Mayer in-house design from the beginning of the 20th century. Though more formal than many others, the design keeps its Art Nouveau air. This beautiful font was completely redrawn and redesigned with giving the numerals more style. Two stippled border elements were added which you can reach by typing [alt] + P and [alt] + p. Like most fonts of this era, RMU Manolo comes with a long s too.
RMU Manolo encompasses most European languages, Central and West, plus Turkish.
Download Wieynck Fraktur Fonts Family From RMU
blackletter
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body text
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Fraktur
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German
,
long s
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Heinrich Wieynck’s blackletter font, carefully redrawn and redesigned for modern use. Due to its proportions, this blackletter font can also be used for body texts.
This font contains the letter ‚long s‘ which can be reached in two ways. Either you use the OpenType feature ‚historical forms‘, or you type the summation sign on your keyboard. There are two graphic elements implemented, a corner element and a pearl for framing. The corner can be set by [alt] + [shift] + 1 for the outline, and [alt] + v for the filling. The pearl, set on a path, is accomplished by [alt] + [shift] + p for the outline, and [alt] + p for the filling.
Download Avion Fonts Family From Fenotype
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Despite what some might say, you can’t just always go for that most ubiquitous font in the world, can you?
Avion font family channels those cool modernist vibes yet brings something new to the table.
With a slightly more rectangular approach and some clever detailing, Avion has a distinct look of its own, yet provokes a calming familiarity of neutrality and objectiveness. As goes without saying, it’s also equipped with a sensible amount of features that make it a true, versatile workhorse.
Get on board.
Download Turnier Font Family From RMU
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G. G. Lange’s expressive italic ‘Derby’ with its calligraphic touch has come to life again. Carefully redrawn and extended for multilingual usage, ‘Turnier’ is an ideal font for ads, posters, book titles and much more.
Download Bernhard Signature Font Family From Jonahfonts
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I started to work at the Bernhard Studio in 1952 to 1959 in New York. I helped with some type designs and many other projects, this two tiered signature was added on all of Bernhard’s art that was produced in the past and in his later years. In the 50’s I thought Bernhard’s Gothic face was quite a bit outdated but as you may know it has become one of todays most used faces. His signature is based on his Bernhard Gothic Font.
With todays computer technology I have digitized the caps and added lower case glyphs with lower ascenders and other slight changes.
Download Fractus Font Family From Eurotypo
blackletter
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Fraktur
,
German
,
gothic
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headlines
,
heavy script
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The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes.
In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified)
Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries.
The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase.
Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.
Download Fette Kanzlei Font Family From RMU
19th Century
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blackletter
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Fraktur
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German
,
long s
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Ornate
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Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again.
The long s can be reached by typing alt plus b or by activating the OT feature historical forms.
This font also contains oldstyle numerals.
Download Sylphe Pro Font Family From RMU
calligraphic
,
Central European
,
elegant
,
German
,
true italic
,
Turkish
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Inspired by Schelter & Giesecke’s Sylphide Sylphe Pro comes as an elegant, calligraphic Italic with the touch of the Golden Age of type design. This beautiful font encompasses most European languages, Central and West, plus Turkish.
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