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Proudly Presenting, Hildaquin a Signature Collection Font.
Hildaquin is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.
Hildaquin also come with swash and Multi-Lingual Support.
Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!
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Better Valentina Font Duo is a hand brush font created with brush and ink. Better Valentina Font Duo This typeface is ideal for use in bold watercolor designs or handwritten styles, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, cafe / restaurant signs. merchandise, etc.
Contains the complete set:
- Uppercase
- Lowercase
- alternative
- fasteners
- Punctuation
- number
- Multilingual support.
How to access all alternative characters, using the Windows Character Map with Photoshop:
- https://www.youtube.com/watch?v=Go9vacoYmBw
How to access all alternative characters using Adobe Illustrator:
- https://www.youtube.com/watch?v=XzwjMkbB-wQ
Thank you!
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Binia is an experimental and playful display font. It contains two different character sets. One set you will find as lowercase, second under uppercase + several alternates. Mix as you like. Great for logo, posters. Look best in large size.
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Anttine is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!
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Jossie is a cool brush font. The style is a little bit rough, suitable for all of your logos, branding, social media, and crafty DIY projects.
Features :
Thank you
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Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold.
Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design.
This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.
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Introducing Bleck Stome Is a Layered fonts of retro style, with Bleck Stome Give your typography design a touch of retro style, Bleck Stome is one of hand lettering project. It was very inspired from the famous retro typography designs,
Bleck Stome also comes with extra Extruded Font version. So you don’t need extra effort for create an extrude effect for this font. This mean it will saves your time.
With Bleck Stome Font it suitable for Logotype, posters, business cards, merchandise, wedding invitations, greeting cards, banners blogs, clothing, water-based paint designs / prints, correspondence, quotes and more!
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Bleck Stome Comes With 480+ Glyphs and OpenType Features are also added to this font.
The Features includes: Stylistic Alternates, Swashes, Ligatures, and Stylistic Set. You can pick the alternate for all style
Bleck Stome has given PUA encoded (fonts with special code).
If you have any questions,please contact me at: malindocreative@gmail.com. Feel free to contact me, I am happy to help you.
To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as, Adobe Indesign ,Adobe Illustrator CS & CorelDraw X6-X7, Microsoft Word 2010 or later versions.
How to access alternate glyphs? you can see it on this link goo.gl/1vy2fv
Thank you for your kindness and support,it’s not hidden,what you see in preview is what it contains,
Hopefully Useful, Good Luck For You, And Love You All.
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Introducing
Magilio - A Chic Serif Fonts
Beautiful and soft fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing.
You can apply them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding invitations and much more which you can make with this great item for any design :)
Features:
-Uppercase
-Lowercase
-Numeral
-Punctuation
-Multilingual
-Opentype Features & PUA Encoded
Multilingual contained:
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu.
Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.
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A font perfect for not just one, but many projects! Introducing Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans!
Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use.
Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights.
We've tested Oceanwide for these industries, with stunning results!:
Oceanwide can be used for:
The styles it can take are also many. It's great for:
DESIGN FEATURES
DESIGN STORY—THE FORGOTTEN SANS
by Dave Lawrence, Lead Designer, California Type Foundry
Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans!
It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year.
Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes.
Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections.
Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after.
My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u.
Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted.
Fourth, I extended the weight into the light and extra light ranges.
Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration.
Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.”
The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple.
Hopefully this font is a worthy successor to the font that inspired it.
Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer.
———————
Simplicity. Versatility. Oceanwide.
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A font perfect for not just one, but many projects! Introducing Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans!
Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use.
Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights.
We've tested Oceanwide for these industries, with stunning results!:
Oceanwide can be used for:
The styles it can take are also many. It's great for:
DESIGN FEATURES
DESIGN STORY—THE FORGOTTEN SANS
by Dave Lawrence, Lead Designer, California Type Foundry
Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans!
It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year.
Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes.
Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections.
Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after.
My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u.
Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted.
Fourth, I extended the weight into the light and extra light ranges.
Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration.
Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.”
The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple.
Hopefully this font is a worthy successor to the font that inspired it.
Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer.
———————
Simplicity. Versatility. Oceanwide.
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Garnita Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding,
wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try it first if you want to buy this font.
Garnita Script is equipped with 364 glyphs. Having many of these glyphs there will be able to choose the letters according to your likes, lots of variations and options for each letter, so you can customise your design choices.
To use a variety of glyphs, you need a program that supports
OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign, and CorelDraw and many more programs that support OpenType.
If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map(Windows).
Thanks and happy designing
Thank You for your purchase !
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Sans Anger is a stunning and authentic brush font with a natural feel. Get inspired by its whimsical style and turn any design project into a true stand-out.
So what’s included:
Thank you
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Kostania is an elegant and unique designed font for any display use with 4 weights from Thin to Bold.
Kostania is including a bunch of alternates and ligatures characters that give you a variety of typographic design results.
Kostania is a versatile font for many design project such as logo design, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more!
FEATURES:
OpenType support
Playfull to use (with ligatures and alternates options)
Multilingual support
PUA Encoded
If you need support or more information about this item
please kindly contact me :
ekahermawanputu@gmail.com
Thank you so much
I really hope you enjoy when using it!
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Kostania is an elegant and unique designed font for any display use with 4 weights from Thin to Bold.
Kostania is including a bunch of alternates and ligatures characters that give you a variety of typographic design results.
Kostania is a versatile font for many design project such as logo design, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more!
FEATURES:
OpenType support
Playfull to use (with ligatures and alternates options)
Multilingual support
PUA Encoded
If you need support or more information about this item
please kindly contact me :
ekahermawanputu@gmail.com
Thank you so much
I really hope you enjoy when using it!
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Kostania is an elegant and unique designed font for any display use with 4 weights from Thin to Bold.
Kostania is including a bunch of alternates and ligatures characters that give you a variety of typographic design results.
Kostania is a versatile font for many design project such as logo design, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more!
FEATURES:
OpenType support
Playfull to use (with ligatures and alternates options)
Multilingual support
PUA Encoded
If you need support or more information about this item
please kindly contact me :
ekahermawanputu@gmail.com
Thank you so much
I really hope you enjoy when using it!
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Crypton Ink is a raw brush typeface. Its cool texture is carefully handcrafted to straight away grab the attention of the viewers. Suitable if use for logos, posters, headlines, brandings, apparel, etc.
This font is supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu.
Thank you
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Happy Star is a bold and fun script font. Suitable for logotype and crafting, this font will make each of your designs look gorgeous.
Happy Star contains 209 glyphs. Supporting more than 66 languages, from Afrikaans, Albanians to English and Zulu.
This font also has open-type features such as ligatures and swashes to create that authentic hand-lettering feel to your designs.
Thank You.
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Happy Star is a bold and fun script font. Suitable for logotype and crafting, this font will make each of your designs look gorgeous.
Happy Star contains 209 glyphs. Supporting more than 66 languages, from Afrikaans, Albanians to English and Zulu.
This font also has open-type features such as ligatures and swashes to create that authentic hand-lettering feel to your designs.
Thank You.
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Daragie is a feminine vintage typeface with beautiful alternete, tons of special , ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.
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Introducing, Riotous Brush Font! Riotous is a font that features a handwritten style with a free and expressive feel. the rough brush strokes leave a strong effect to make your design looks more natural and unique!
What will you get:
This font also support PUA Encoded! So, grab your own. Thank You!