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BRIGNELL SUNDAY is an eight font family designed by Ian Brignell.
A relaxed, easy-reading companion for any day of the week.
A clean, modern, friendly sans serif characterized by an open style with occasionally rounded corners, occasional curved junctures on diagonals and a slightly sloped lower case A. Brignell Sunday was born in 2006 and was inspired by corporate custom font ideas Ian designed for an LG Electronics sub-brand called Best Shop. Extended Latin set.
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Hello Angel is a fun and whimsical paint brushed display font.
This font is perfect for children themed designs, especially when combined with bright colors.
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urgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!
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Wonkyest is a handwritten script font, quirk and fun characters. It has Opentype features of ligatures and some lowercase alternate, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Wonkyest font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Wonkyest script font.
Cheers,
MaulanaCreative
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Looking for a fun and bold font to captivate your audience, clients, or party guests? If you need to create invitations, have a t-shirt branding company, or need to create a new menu - then this is the perfect font for you.
Boldy Vintage-Bold Script Font
Boldy Vintage is a bold, fun, and modern font. Every hand-drawn stroke and curve will delight and add brightness, modernity, and fun to wherever it’s placed. This bubble font is the best to maximize the amount of street vibe and playfulness. Ideal to create amazing headings, logos, menus, and social media graphics.
Our font always includes Multilingual Support to make your branding reach a global audience.
Features:
Thank you for downloading premium fonts from Din Studio
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Choosing fonts for design projects can be an endless task to do because there’s thousands of fonts out there all that you could use. Wait no more, we will give you the best choice.
Reverse Vintage-A Display Font
The Reverse Vintage aims to bring out a modern and stylish view. This font is made specifically designed to fit a variety of different content needs and projects. Everything’s well with cursive! The curvature of the Reverse Vintage was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be. Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects.
Reverse Vintage includes Multilingual Support to make your branding reach a global audience.
Features:
Thank you for downloading premium fonts from Din Studio
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Imagine a font that is easier to read the smaller it is – or the further away the text is. There are already many rasterised fonts, I wanted to take it to the extreme and use as few dots as possible. The result is a typeface that lives up to its name.
Each individual circle makes no sense on its own; individual letters are only recognisable in the context of all associated circles, individual letters are most likely to be recognised in the context of whole words.
Attached to a building wall, text would be readable from a great distance and become increasingly difficult to decipher the closer you get to the building. Placed on the ground or on a large flat roof, text would only be readable from a higher building, an aeroplane or - depending on the size - in Google Earth.
Kontext has old style figures, superscript numerals, case-sensitive questiondown and exclamdown and an alternative ampersand, 390 glyphs at all.
Use the same value for font size and line spacing to keep the lines in the grid, or change the line spacing in 10% steps.
Change the spacing in 100-unit increments to keep the grid.
The numbers in the family- and style-names refer to the (ca.) grey value of the respective background and the font itself.
Kontext Dot 00-33 has e.g. a white background (0%) and 33% grey value. Kontext Dot 66-33 has a 66% background and 33% grey value.
»Positive« styles (first number smaller than the second number) have kerning, »negative« styles (first number bigger than the second number) can have none.